BeckerArt FLOAT-YOUR-PIGMENT Newsletter September 15th

Published: Tue, 09/15/15

Hello 

Welcome to the FLOAT-YOUR-PIGMENT Newsletter #20

Can't believe this is already the 20th FLOAT-YOUR-PIGMENT Newsletter....wow how time flies!
I hope you are enjoying these newsletters.... in each newsletter I try to teach one thing and give a couple tips, so as to not overload you with information. I tell my students that take my classes, don't try to learn everything in one class, just remember one thing that you did in class that day and practice that one thing until you come to the next class. This way you will remember that one thing you learned and practiced, if you try to remember everything I teach you, more times than not, you forget most everything I taught that day.

Because I painted Plein-air last Sunday, I decided I would cover Plein-air painting in this newsletter.

All paintings posted in this newsletter were painted Plein-air.
For those that may not know what painting Plein-air means, it's painting outdoors, on the spot, in front of your subject matter.

There will be classes both Thursday and Saturday this week.... see you there!

Here is to painting outdoors!
David


Don't change when Plein-air painting
When painting plein-air or as some say painting on the spot, I teach my students to try and not change a thing about how they normally paint a watercolor. Yes there are things that are different between painting plein-air and painting in your studio, but the trick is to try to make both the same. 
Use the same brushes, and palette and bring your camera so you can use it to focus in on a scene. 
The biggest problem most first-time plein-air painters have is putting to much into their paintings and trying to follow the changing light. The trick is to do a small thumbnail sketch or take a photo of the area that you want to paint, then start and stick to that thumbnail sketch or the photo. Don't change the shadows or lighting half way through and then try to finish it with a totally different light.
Something else you can try instead of plein-air painting a scene is to do a fast watercolor sketch of the scene. Then take that sketch and photo back to the studio where you can then paint a studio painting of the sketch and photo.
Another good rule when painting outdoors, don't paint with the sun hitting your paper, find a place in the shadows or angle your piece so the sun is hitting the back of your paper and your painting surface is in the shade. 
Don't forget the things you normally would need outdoors like, bug spray, sunglasses, hat, water bottle, and anything else you normally would use outdoors.



Best time to Plein-air paint is early on a sunny morning or a late sunny afternoon.
It's easy to compose a painting when you have long shadows.
I use to do more oils when plein-air painting, like the one above from a valley in Arizona. The local paper even did a story of the painting group I was with. Painting outdoors is a great way to get publicity!  
On my Greek Islands 2016 Workshop plan on doing Plein-air painting and also a lot of watercolor sketching.
Remember all supplies are included!

2 more brushes coming soon... 
You're going to love them!

NEW! The BeckerArt Brush is now available through this email to anyone that wants to purchase an amazing

1 1/4" Flat Series 020, Holbein Gold, Short Handle, Superior Synthetic Blend Watercolor Brush.
​Made to my specifications, which were, The point of this 1 1/4" flat brush had to come to a razor sharp point, along with a bounce back to straight action when applying watercolor to paper.
The BeckerArt Brush retails for $40.65 but you can get a personally autographed BeckerArt Brush direct from me for $25.00 Priority shipping along with handling is $5.00 total $30.00 for the best 1 1/4" Brush out there!

Image
Link of the Week.
Plein Air ConventionThis convention always seems like it would be a blast to attend.


Magazine of the Week
 
Lovely magazine, also check out their competition!
 For any other info please email me at david@davidrbecker.com