BeckerArt FLOAT-YOUR-PIGMENT Newsletter January 12th Mind's Eye

Published: Tue, 01/12/16

 
Hello 

Welcome to the FLOAT-YOUR-PIGMENT Newsletter #37 Mind's Eye

At the beginning of a new year, there are always those changes that everyone wants to make, myself included. This is the reasons you will see a few changes in this newsletter and future newsletters.
I have received some excellent feedback and advice about the newsletter and I will be taking some of the great comments and suggestions and will be implementing them soon.

One great suggestion from one of my subscribers was to put the theme of that particular newsletter in the title of the email/newsletter, so when going back to read some older newsletters, you can find the one you are looking for. Hopefully in a couple of weeks, I will also be adding video tutorials to this newsletter.

On January 31st I will be in Florida at The Marco Island Center for the Arts, demonstrating in watercolor for Dillman's Festival of Artists. more info below.

Don't forget The Lakes Region Watercolor Guild has their January meeting this Thursday. More info below.

YES to Class this Thursday at the Civic Center in Libertyville
YES to Class Saturday at The Studio in McHenry.

Here's to changes for the better!
David
 
Developing your Mind's-Eye
Just recently my brother turned me onto a TV series called Brain Games (you can catch episodes on Netflix).
This is now my favorite show and I am savoring every episode. You are probably wondering why I am telling you this, the answer is because this show has a lot to do with the brain and one's vision. As a visual artist 
we create visuals for our viewers and a lot of this show has to do with how the brain and one's vision works.

There was an episode of Brain Games where a crime was happening and you were asked to recall what you saw. Most of the people they asked that were part of that episode didn't get the visuals correct when asked about the crime. For instance, one question they were asked, what was the color of the lady's coat or in a line up of criminals, who was the guy who committed the crime. When I took that test as I was watching the episode I got most every question right, it seemed very easy for me, and I believe this is because I have developed my mind's eye along with a photographic memory. I developed this ability because of my storyboard illustration career. As a storyboard illustrator, I was asked by art directors to draw storyboard scenes of things they verbally described to me and I would have to come up with a visual to those descriptions. At first I would have to look up visuals for every drawing that I did, then with practice, I developed the images in my mind's eye and would later learn to draw from those images in my head which in turn helped me develop a kind of photographic memory.

You may be asking yourself why is developing one's mind's eye/photographic memory important to an artist. I believe it helps you in your creative process. Most of my students rely heavily on a photograph when creating their works of art and this I believe can stifle the creative process. Most students are basically copying what they see in the photograph and never look to create something more then just what the photo reveals. 
If the photograph is a beautiful scene, their paintings usually turn out well, but if they have a photo reference that isn't the best or is not compositionally correct, then the painting usually doesn't turn out so well. This is because they never made a change to correct what was in the photo, but instead copied exactly what the photo reveals. This is when having developed your mind's eye comes in handy, you would be able to change those bad photos into well-composed paintings because you can see it composed in the right way in your head(mind's eye) and you would use that skill instead of just copying exactly what's in the photo.

To develop your mind's eye takes practice but it isn't as hard as it may seem. Here is a list to the process I took to develop my mind's eye.

1. Get yourself a sketchbook and keep it with you where ever you go.
2. When you are ready to sketch, (Don't Sketch) first look at what you want to sketch and memorize it.
    There is no specific time it should take you to memorize it, just take as much time as you think you need to       get a good mental image of what it is you are going to sketch.
3. Look away from what it is that you had memorized and sketch it. Don't look back at the subject when                 sketching it.
4. If you need to look back because you don't remember a part of the sketch, stop sketching and look back at       the subject and memorize what you missed, then start a new sketch. Don't finish the old sketch, always work     to try and finish the sketch in one take. this helps you in seeing the big picture and teaches you to see what       is important to memorize. If you are constantly looking back to finish the sketch, that would be the same as       looking at your subject when drawing it.
5. Repeat, repeat, and repeat as often as possible. Do this exercise whenever you can, the more you practice       the better you get. It took me a good couple of months, sketching quite often to hone in on developing my         minds eye, but it was my storyboard career that really helped in totally developing my mind's eye.
Above is the 20-minute demo that I started last Saturday.... No photo reference was used, this was created from my imagination using my mind's eye. I will finish it after I look on the internet to see what ducks look like when flying overhead. 

 
Dillman's Festival of Artists at the Marco Island Center for the Arts Jan. 31st
Image
On January 31st, I will be demonstrating for the Dillman's Festival of the Artists in Florida at the Marco Island Center for the Arts.
Read More
 
BeckerArt Brushes

NEW! The BeckerArt Brushes are now available to purchase.

1 1/4" Flat Series 020, #16 Round and a #4 Rigger Holbein Gold, Short Handle, Superior Synthetic Blend Watercolor Brushes. Made to my specifications, which were, The point of the 1 1/4" flat brush and the # 16 round had to come to a razor sharp point, along with a bounce back to straight action when applying watercolor to paper. The # 4 Rigger had to be the perfect length, the perfect thickness and the perfect point.


The BeckerArt  1 1/4" brush retails for $40.65  you can get a personally autographed BeckerArt Brush direct from me for $25.00
The BeckerArt  #16 Round retails for $25.00  you can get a personally autographed BeckerArt Brush direct from me for $18.00

The BeckerArt #4 Rigger retails for $8.75 you can get this brush direct from me for $6.00 To small to autograph

Buy all 3 as a set which retails for $74.40 direct from me for only $45.00
Priority shipping along with handling per order is $6.00


Click Here to Shop


 
 
NEW!  My Favorite Watercolor Artist of the Week
Each week I will be bringing you an artist that I admire and amazes me. I hope these artist's will amaze and inspire you to keep on painting and develop your own style as much as they inspire me.

Carol Carter from St Louis is my first artist of the week. This lady's work knocks my socks off. 
In my teachings I, many times refer to carol's work for examples of how important it is to not just copy a photo when creating a work of art.

 
Link of the Week

This week LRWG has their monthly meeting/Demo in Grayslake IL., 9:30 to Noon, State Bank of the Lakes, 50 Commerce Drive Catherine Nash is the demonstrator this month.
To keep up with this guild please like their Facebook page HERE


 
 For any other info please email me at david@davidrbecker.com