BeckerArt FLOAT-YOUR-PIGMENT Newsletter August 29th, Photo-shopped

Published: Tue, 08/29/17

 
Hello 

Welcome to the FLOAT-YOUR-PIGMENT Newsletter #120, Photo-shopped

It's back to school time for the kids but for those of you that have been enjoying the summer and haven't had a chance to paint, may I recommend after this holiday weekend to get back to that fall, winter and spring habit of sketching and painting. If you need a push may I suggest a class or workshop, it can really put you in that habit and mood of getting some sketches and paintings created. 

It has been almost a month now that I have been in my new studio/gallery and there is still so much to do. who knew it was so much work to create the perfect studio/gallery/classroom. I don't have any good photos of the place yet but as soon as I get things further along I will be showing it off. I'm pushing to get it done and have a grand opening in December....we will see how that goes....I just so happen to have 3 large workshops in September and October that will keep me somewhat busy. See below if you are interested in any of those workshops coming up.

This weeks newsletter talks about the program Adobe Photoshop and how some artists are using this program or app to help them with their paintings. This practice of using Photoshop or other phone apps to manipulate ones photos has become a topic of many artists, some are for it and some don't care for it. I will be bringing it up on my Facebook page in the near future....stay tuned if you want to give your opinion on the subject.

Yes to Class at the Civic Center Libertyville, Thursday Aug. 31th 1:00 to 3:30pm
Yes to Class at The Antioch Fine Arts Foundation, Aug. 31th 6:30 to 9:00pm
Yes to Class at The Studio in McHenry on Sept. 2nd 9:00 to 11:30

 
Photo-shopped Images for Painting
With the TWSA show now over, I have had a few students ask me about some of the paintings in the show and  wondering how they were painted. The answer I gave them was that a number of them were painted using photos that were manipulated in a photo editing program like Adobe Photoshop, which is probably the most popular editing program on the market.

Why would an artist do this you ask.... because it is a way to achieve a different style or look. This is somewhat of an easy way to achieve a different look from the traditional way of painting watercolor. Getting a style that is different from anybody else is what most artists try to achieve to set them apart from others. It is also a way of winning a lot of awards when entering watercolor shows where the jurors like seeing different kinds of styles. Yes, you still need to learn how to paint in watercolor but if you are just copying a photograph that was generated by an editing program, one just needs to paint it exactly like the photo. That is where a projector comes in handy. Most of the artist that copy a manipulated photo also probably project the image to their paper so they can draw it exactly like the photo.

Many traditional artists that I have talked to say that this is kind of cheating in the creativity department. How do you feel about this kind of watercolor technique? If this technology was available back in the days when masters like Winslow Homer or John Singer Sargent were painting would they have used it? This has been a very hot topic for many of the groups I am involved with, and since I was a illustrator for most of my professional career I can see both sides of the likes and dislikes of creating this way.

I am not going to answer the question of if this is or isn't the way to create, because as I mentioned before I believe that there are good and bad parts of creating in this way. I will say that as an artist you should do whatever works for you, too become that fine artist that you so want to be. 

Below I have a photo I shot in Vancouver, Canada and I have manipulated the photo in 10 different ways.
All I had to do was apply a filter to the image and adjust it to my liking and the hit OK button to make the program edit my photo into a filtered photo. Then if I wanted that look in my watercolor I could just trace the image to my paper and paint it to match the style of the photo. 

More importantly is to paint paint paint!
David
Above is the original photo I took in Vancouver, Canada

In the above image I applied a Cutout Filter

Above I applied a Dry brush Filter

Above I applied a Film Grain Filter

Above I applied a Paint Daubs Filter

Above I applied a Posters Edge Filter
​​​​​​​
Above I applied a Sponge Filter

Above I applied a Watercolor Filter

Above I applied a Accented Edges Filter

Above I applied a Inked Outlines Filter

In this Above photo I did not apply a filter but I played with the Adjustment setting of Hue and Saturation along with a posterized adjustment
 
It's getting pretty close to my workshop at are Dillman's & Cheap Joe's so if you are still thinking about taking a workshop at either, it's time to sign-up ASAP.
 
Artist of the Week
Judy Salzman. I first saw Judy's work in the AWS 2017 booklet of the exhibition and then I saw another scene, the one pictured to the left at the TWSA exhibition. Both very striking pieces.

While I was at the TWSA exhibition with some of my students I was asked how this piece was painted.
I gave them my guess and I don't know for certain, but I told them that Judy probably works from a photo that was manipulated in a computer program, probably Photoshop.

After checking out her website and seeing that her husband does digital art, I'm guessing one of them knows how to manipulate photos in Photoshop and is how she gets that look.

 
Book of the Week
If you are new to Photoshop Filters you can always buy a book like this to see what they do but I would just recommend getting a photoshop app on your phone and experimenting with the filters, it's very easy testing out a filter on a photo with an app like http://www.adobe.com/products/mix.html

 

Get yourself a BeckerArt Brush today

1 1/4" Flat Series 020, #16 Round and a #4 Rigger Holbein Gold, Short Handle, Superior Synthetic Blend Watercolor Brush set.
​​​Made to my specifications, which were, The point of the 1 1/4" flat brush and the # 16 round had to come to a razor sharp point, along with a bounce back to straight action when applying watercolor to paper. The # 4 Rigger had to be the perfect length, the perfect thickness, and the perfect point.

Click Here to Purchase the 3 original BeckerArt Brushes ​​​​​​​

 For any other info please email me at david@davidrbecker.com